Jibade-Khalil Huffman

Jibade-Khalil Huffman, Untitled (Telephone), 2020 Inkjet on backlit fabric, monitor, looping video, 53 1/2h x 31w x 4 1/2d in.

Jibade-Khalil Huffman, Untitled (Telephone), 2020 Inkjet on backlit fabric, monitor, looping video, 53 1/2h x 31w x 4 1/2d in.

Installation view, Jibade-Khalil Huffman: Brief Emotion, Frac Bretagne, Rennes, FR, 2022. Photography by Aurélien Mole.

Installation view, Jibade-Khalil Huffman: Brief Emotion, Frac Bretagne, Rennes, FR, 2022. Photography by Aurélien Mole.

Installation view, Jibade-Khalil Huffman: Parallax Distance, Kimball Art Center, Park City, UT

Installation view, Jibade-Khalil Huffman: Parallax Distance, Kimball Art Center, Park City, UT

Jibade-Khalil Huffman, TRT, 2020, Archival inkjet print, 36.70h x 38.60w in.

Jibade-Khalil Huffman, TRT, 2020, Archival inkjet print, 36.70h x 38.60w in.

Jibade-Khalil Huffman, Tuskegee, 2019, Archival inkjet print, 27h x 21.45w in.

Jibade-Khalil Huffman, Tuskegee, 2019, Archival inkjet print, 27h x 21.45w in.

Jibade-Khalil Huffman, Figure, 2019, Inkjet print, 41.25 x 31.5 in.

Jibade-Khalil Huffman, Figure, 2019, Inkjet print, 41.25 x 31.5 in.

Installation view, Jibade-Khalil Huffman: You Don’t Have to Say You Love Me, Anat Ebgi, Los Angeles, CA, 2020. Photography by Michael Underwood.

Installation view, Jibade-Khalil Huffman: You Don’t Have to Say You Love Me, Anat Ebgi, Los Angeles, CA, 2020. Photography by Michael Underwood.

Jibade-Khalil Huffman, Ballot or the Bullet, 2019, Inkjet on transparency, framed, 36h x 26.5w in.

Jibade-Khalil Huffman, Ballot or the Bullet, 2019, Inkjet on transparency, framed, 36h x 26.5w in.

Jibade-Khalil Huffman, Experiment, 2018, C-print, 32.42h x 44w in.

Jibade-Khalil Huffman, Experiment, 2018, C-print, 32.42h x 44w in.

Jibade-Khalil Huffman, Sculpture for Angela Lansbury, 2018, Archival inkjet on canvas, 42h x 32w x 1d in.

Jibade-Khalil Huffman, Sculpture for Angela Lansbury, 2018, Archival inkjet on canvas, 42h x 32w x 1d in.

Jibade-Khalil Huffman, White Flight, 2019, Inkjet print, framed 37.5h x 23.5w in.

Jibade-Khalil Huffman, White Flight, 2019, Inkjet print, framed 37.5h x 23.5w in.

Installation view, Jibade-Khalil Huffman: You Don’t Have to Say You Love Me, Anat Ebgi, Los Angeles, CA, 2020. Photography by Michael Underwood.

Installation view, Jibade-Khalil Huffman: You Don’t Have to Say You Love Me, Anat Ebgi, Los Angeles, CA, 2020. Photography by Michael Underwood.

Jibade-Khalil Huffman, Untitled (Game), 2018, Archival inkjet print, 24h x 42.77w in.

Jibade-Khalil Huffman, Untitled (Game), 2018, Archival inkjet print, 24h x 42.77w in.

Jibade-Khalil Huffman, A Void, 2020, Transparency in lightbox with flatscreen monitor, looping video, 28.19h x 46.25w x 5.63d in. 
For video documentation of A Void click here.

Jibade-Khalil Huffman, A Void, 2020, Transparency in lightbox with flatscreen monitor, looping video, 28.19h x 46.25w x 5.63d in.

For video documentation of A Void click here.

Jibade-Khalil Huffman, Where There’s Smoke, 2020, Inkjet on Duratran transparencies, three-channel video installation, 101.50h x 60w x 1.50d in.
For video documentation of Where There's Smoke click here.

Jibade-Khalil Huffman, Where There’s Smoke, 2020, Inkjet on Duratran transparencies, three-channel video installation, 101.50h x 60w x 1.50d in.

For video documentation of Where There's Smoke click here.

Jibade-Khalil Huffman, Untitled (Hover), 2020, Inkjet on transparencies, looping video, 41.13h x 19w x 1.50d in

Jibade-Khalil Huffman, Untitled (Hover), 2020, Inkjet on transparencies, looping video, 41.13h x 19w x 1.50d in

Jibade-Khalil Huffman, Untitled (Explosion), 2020, Inkjet on transparencies, looping video, 60.25h x 27.13w x 1.50d in. 
For video documentation of Unititled (Explosion) click here.

Jibade-Khalil Huffman, Untitled (Explosion), 2020, Inkjet on transparencies, looping video, 60.25h x 27.13w x 1.50d in.

For video documentation of Unititled (Explosion) click here.

Jibade-Khalil Huffman, Untitled (Telephone), 2020, Inkjet on backlit fabric, monitor, looping video, 53.50h x 31w x 4.50d in.
For video documentation of Untitled (Telephone) click here.

Jibade-Khalil Huffman, Untitled (Telephone), 2020, Inkjet on backlit fabric, monitor, looping video, 53.50h x 31w x 4.50d in.

For video documentation of Untitled (Telephone) click here.

Jibade-Khalil Huffman, White People Explain John Baldessari To Me, 2017, Transparency in powder coated metal lightbox, 44h x 29.5w x 2.5d in.

Jibade-Khalil Huffman, White People Explain John Baldessari To Me, 2017, Transparency in powder coated metal lightbox, 44h x 29.5w x 2.5d in.

Jibade-Khalil Huffman, The Mirror, 2017, Transparencies, die cut plexi, flatscreen monitor, powder coated metal frame, looping video, 51.5h x 31.75w x 5d in.

Jibade-Khalil Huffman, The Mirror, 2017, Transparencies, die cut plexi, flatscreen monitor, powder coated metal frame, looping video, 51.5h x 31.75w x 5d in.

Jibade-Khalil Huffman, By The Author of Another Country & Nobody Knows My Name, 2017, Transparency, wood, plexiglass, fluorescent lights, 35h x 31w x 6 1/8d in.

Jibade-Khalil Huffman, By The Author of Another Country & Nobody Knows My Name, 2017, Transparency, wood, plexiglass, fluorescent lights, 35h x 31w x 6 1/8d in.

Jibade-Khalil Huffman, Sculpture for Morgan Parker (A Tattoo of Harriet Tubman's Face With a Tattoo of Your Face on Harriet Tubman's Face on Your Face), 2018, Transparency in lightbox, 41.5h x 77.25w x 5.5d in.

Jibade-Khalil Huffman, Sculpture for Morgan Parker (A Tattoo of Harriet Tubman's Face With a Tattoo of Your Face on Harriet Tubman's Face on Your Face), 2018, Transparency in lightbox, 41.5h x 77.25w x 5.5d in.

Jibade-Khalil Huffman, One Person’s Anxiety Is Another Person’s Anxiety (Martin B), 2018, Inkjet, acrylic and graphite on canvas, 40h x 30w in.

Jibade-Khalil Huffman, One Person’s Anxiety Is Another Person’s Anxiety (Martin B), 2018, Inkjet, acrylic and graphite on canvas, 40h x 30w in.

Installation view, Jibade-Khalil Huffman: Now That I Can Dance, Tufts University Art Gallery, Tufts University, Medford, MA, 2020. Photography by Peter Harris.

Installation view, Jibade-Khalil Huffman: Now That I Can Dance, Tufts University Art Gallery, Tufts University, Medford, MA, 2020. Photography by Peter Harris.

Jibade-Khalil Huffman, Picture for Paul Mooney (Everybody Wants/ Nobody Wants), 2018, C-print, 29.50h x 44.50w x 1d in.

Jibade-Khalil Huffman, Picture for Paul Mooney (Everybody Wants/ Nobody Wants), 2018, C-print, 29.50h x 44.50w x 1d in.

Installation view, Jibade-Khalil Huffman: Now That I Can Dance, Tufts University Art Gallery, Tufts University, Medford, MA, 2020.  Photography by Peter Harris.

Installation view, Jibade-Khalil Huffman: Now That I Can Dance, Tufts University Art Gallery, Tufts University, Medford, MA, 2020. Photography by Peter Harris.

Installation view, Jibade-Khalil Huffman: Tempo, The Kitchen, New York, NY, 2018.

Installation view, Jibade-Khalil Huffman: Tempo, The Kitchen, New York, NY, 2018.

Installation view, Jibade-Khalil Huffman: Tempo, The Kitchen, New York, NY, 2018.

Installation view, Jibade-Khalil Huffman: Tempo, The Kitchen, New York, NY, 2018.

Installation view, Jibade-Khalil Huffman: Tempo, The Kitchen, New York, NY, 2018.

Installation view, Jibade-Khalil Huffman: Tempo, The Kitchen, New York, NY, 2018.

Installation view, Jibade-Khalil Huffman: Tempo, The Kitchen, New York, NY, 2018.

Installation view, Jibade-Khalil Huffman: Tempo, The Kitchen, New York, NY, 2018.

Installation view, Jibade Khalil Huffman: The Way You Make Me Feel, Ballroom Marfa, Marfa, TX, 2018. Photography by Alex Marks.

Installation view, Jibade Khalil Huffman: The Way You Make Me Feel, Ballroom Marfa, Marfa, TX, 2018. Photography by Alex Marks.

Installation view, Jibade-Khalil Huffman, The Way You Make Me Feel, 2018, Ballroom Marfa, Marfa, TX. Photography by Alex Marks.

Installation view, Jibade-Khalil Huffman, The Way You Make Me Feel, 2018, Ballroom Marfa, Marfa, TX. Photography by Alex Marks.

Installation view, Jibade-Khalil Huffman: The Way You Make Me Feel, Ballroom Marfa, Marfa, TX, 2018. Photography by Alex Marks.

Installation view, Jibade-Khalil Huffman: The Way You Make Me Feel, Ballroom Marfa, Marfa, TX, 2018. Photography by Alex Marks.

Installation view, Jibade-Khalil Huffman: The Way You Make Me Feel, Ballroom Marfa, Marfa, TX, 2018. Photography by Alex Marks.

Installation view, Jibade-Khalil Huffman: The Way You Make Me Feel, Ballroom Marfa, Marfa, TX, 2018. Photography by Alex Marks.

Installation view, Jibade-Khalil Huffman, The Way You Make Me Feel, 2018, Ballroom Marfa, Marfa, TX. Photography by Alex Marks.

Installation view, Jibade-Khalil Huffman, The Way You Make Me Feel, 2018, Ballroom Marfa, Marfa, TX. Photography by Alex Marks.

Installation view, Jibade-Khalil Huffman: Now That I Can Dance, 2021, Tufts University Art Galleries, Tufts University, Medford, MA, 2020.  Photography by Peter Harris.

Installation view, Jibade-Khalil Huffman: Now That I Can Dance, 2021, Tufts University Art Galleries, Tufts University, Medford, MA, 2020. Photography by Peter Harris.

Jibade-Khalil Huffman, The Circle (still), 2020, Single channel video, color, sound, 24 min 37 sec.
For an excerpt from The Circle click here.

Jibade-Khalil Huffman, The Circle (still), 2020, Single channel video, color, sound, 24 min 37 sec.

For an excerpt from The Circle click here.

Jibade-Khalil Huffman, Black Twitter in the Hour of Chaos (still), 2018, Single channel video, color, sound, 45 min.

Jibade-Khalil Huffman, Black Twitter in the Hour of Chaos (still), 2018, Single channel video, color, sound, 45 min.

Jibade-Khalil Huffman, Zero (still), 2020, Single channel video, color, sound; 72 min, 25 sec.
For an excerpt from Zero click here.

Jibade-Khalil Huffman, Zero (still), 2020, Single channel video, color, sound; 72 min, 25 sec.

For an excerpt from Zero click here.

Voluntary Associations (screening), organized by Daata and The Bass at New World Symphony, Miami, FL, 2020. Photography by Zaire Kacz.

Voluntary Associations (screening), organized by Daata and The Bass at New World Symphony, Miami, FL, 2020. Photography by Zaire Kacz.

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